![]() ![]() The event is scheduled to end on April 5. Song Shaobo, the director of the gallery, said that in China, painting and calligraphy are treasures of traditional culture and not only inherit Chinese civilization, but are also mediums for the exchange of ideas between different cultures. "Such timely expressions rejuvenate traditional Chinese art and makes it contemporary," Xu noted. The social scenery changes, and so do the themes artists pursue. Chinese painting (simplified Chinese: traditional Chinese: pinyin: Zhngguó huà) is one of the oldest continuous artistic traditions in the world. Xu Jingjing, an art researcher, told the Global Times that artists are social observers. Whether it is traditional Chinese painting or oil painting, the paintings contain the cultural accomplishments and artistic skill of the author. Yu Heyong, a member of the Shandong Artists Association, said that art is rooted in life. Some of them depict the rural life of Chinese people against the backdrop of the country's poverty alleviation efforts, while others show Chinese cultural landscapes that are closely linked to China's ethnic and cultural diversity. The prosperity and development of Chinese painting was our common goal," he added.Ĭompared with traditional landscape paintings' inclination toward natural scenery, artworks at the show feature some new subjects. "It is an important part of the traditional culture of the Chinese nation. He further expanded that over Chinese painting's more than 1,800 years of development, ancient aesthetics and the use of brush and ink became representative styles that were the main force behind the art of today's contemporary landscape artists. Compared with traditional Western landscape paintings, Chinese traditional landscape paintings usually apply a reversed-geometric perspective and concentrate more on contextual information. Ye Nong, the executive director of the China Landscape Painting Academy, said at the opening ceremony. These works all reveal the artists' interpretion of the theme "landscape."Ĭhinese landscape painting originated in the Wei (220-265) and Jin (265-420) dynasties and reached its peak during the Tang Dynasty (618-907). The Jiang Shan Duo Jiao (Lit: The magnificence of the motherland) exhibition displays works from 115 Chinese artists across styles such as oil paintings and Chinese ink paintings. Rights holders to obtain written permission, then the College Art Association.An art exhibition in Beijing Photo: XinhuaĪn art exhibition that shows how China's traditional landscape paintings have integrated and progressed contemporary aesthetics kicked off at the He Art Gallery in Beijing on Monday. For other uses, please first contact the individual author and/or other Limited-term nonprofit educational use in coursepacks or closed-access academicĬourse Intranet websites, is granted by the College Art Association withoutĬharge. Permitted by sections 107 and 108 of the U.S. Honors accomplishments of artists, art historians, and critics.Īrticulates and affirms the highest ethical standards in the conduct ofĪuthorization to photocopy texts for internal or personal use (beyond that Identifies andĭevelops sources of funding for the practice of art and for scholarship in Provides opportunities for publication of scholarship, criticism, and artists'įosters career development and professional advancement. Speaks for the membership on issues affecting the visual arts and humanities. Of the visual arts and in creativity and technical skill in the teaching andįacilitates the exchange of ideas and information among those interestedĪdvocates comprehensive and inclusive education in the visual arts. landscape painting, the depiction of natural scenery in art. Promotes excellence in scholarship and teaching in the history and criticism The journal, which welcomes submissions from authors and artists worldwide and at every career stage, is published four times a year in spring, summer, autumn, and winter by the College Art Association.įounded in 1911, the College Art Association. ![]() The mission of Art Journal, founded in 1941, is to provide a forum for scholarship and visual exploration in the visual arts to be a unique voice in the field as a peer-reviewed, professionally mediated forum for the arts to operate in the spaces between commercial publishing, academic presses, and artist presses to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels to explore relationships among diverse forms of art practice and production, as well as among art making, art history, visual studies, theory, and criticism to give voice and publication opportunity to artists, art historians, and other writers in the arts to be responsive to issues of the moment in the arts, both nationally and globally to focus on topics related to twentieth- and twenty-first-century concerns to promote dialogue and debate. ![]()
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